Difference and Repetition, Introduction, Deleuze

“The subject dealt with here is manifestly in the air. The signs may be noted: Heidegger’s more and more pronounced orientation towards a philosophy of ontological Difference; the structuralist project, based upon a distribution of differential characters within a space of coexistence; the contemporary novelist’s art which revolves around difference and repetition, not only in its most abstract reflections but also in its effective techniques; the discovery in a variety of fields of a power peculiar to repetition, a power which also inhabits the unconscious, language and art. All these signs may be attributed to a generalized anti-Hegelianism: difference and repetition have taken the place of the identical and the negative, of identity and contradiction. For difference implies the negative, and allows itself to lead to contradiction, only to the extent that its subordination to the identical is maintained. The primacy of identity, however conceived, defines the world of representation. But modern thought is born of the failure of representation, of the loss of identities, and of the discovery of all the forces that act under the representation of the identical. The modern world is one of simulacra. Man did not survive God, nor did the identity of the subject survive that of substance. All identities are only simulated, produced as an optical ‘effect’ by the more profound game of difference and repetition. We propose to think difference in itself independently of the forms of representation which reduce it to the Same, and the relation of different to different independently of those forms which make them pass through the negative.”

Gilles Deleuze
Difference and Repetition
Translated by Paul Patton

Columbia University Press
New York, 1994

Pg 5 “Preface to the Original Edition”

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